Alliance Day - Thierry Deleruyelle

On 22 January 1963, the signing of the lyse Treaty between France and Germany marked the beginning of a solid relationship of cooperation and friendship, embodying the reconciliation of two nations after decades of conflict. Alliance Day celebrates this treaty by using the French and German national anthems as compositional material. Emblems of each nation, they are transformed throughout the work, symbolising the journey towards unity. The piece moves between intense, lyrical moments and playful, melodic ones. The orchestral climax culminates in an explosion of sound before reaching a grandiose finale.

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Alliance Fanfare - Mark Frederick

This rousing new crowd-pleaser echoes with excitement as it freely explores tonalities and rhythms. The fanfare-like setting is in the lasting tradition of British band music. A modulatory character energizes the middle section of the piece and propels it relentlessly forward to an uplifting conclusion.If you are looking for a grand way to open or reinvigorate your concert, you've found it!A sparkler!

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Alliance of the Free - James L. Hosay

For the opening ceremony of the fiftieth anniversary of NATO, James L. Hosay was commissioned to write a special march. The heads of state of all member states of NATO were present at this event. According to instructions, the march had to be a combination of marches in American, Western European and Eastern European style. This way, a concert march was written to outline the history of the greatest alliance ever of countries working together. Now your band and audience can experience this piece of world history in a tribute to the Alliance of the Free!

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Allied Honor - Karl L. King

Musicians the world over love to perform marches from the pen of this march genius. James Swearingen's edited version allows bands to once again experience this unique easier grade Karl King composition.

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Alligator Alley - Les Taylor

Simple percussive effects using woodblock, vibraslap, and slapstick will bring this piece to life. Students will easily visualize the alligators lumbering along as they play this very easy piece for beginning band. You might consider having a guest soloist from the school or community play the vibraslap or slapstick part.

Allmacht, Die - Franz Schubert

Alternate/translated: Omnipotence

Allo (Hello) - Serge Lancen

Allo Georgina - G. Katsaros

Allo Wind ? - Jérôme Naulais

Almas Temple - G. Buglione

Note: This is a reprint from a vintage publication of 1934.No conductor score is published for this work. The 1st Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work.