Et Maintenant - Gilbert Becaud

Et maintenant (What now my love) - Gilbert Becaud

Et Que Vive La Libert ! - Laurent Delbecq

Et Si N'Existais Pas - Claude Lemesle

Et 42 - Michel Legrand

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Eternal Father Strong To Save - W. Whiting

This solemn and reverent arrangement was written for the 75th Anniversary of Pearl Harbor ceremonies. Beginning and ending with the tolling of a chime or ship's bell, this simple and elegant arrangement is most appropriate for patriotic ceremonies. It also serves as an optional introduction to Robert W. Smith's "The Greatest Generation."

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Eternal Father, strong to save - John Bacchus Dykes

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Eternal Flame

Eternal Flame - Brian Balmages

This thrilling and majestic overture by Brian Balmages pays homage to the only eternal flame memorial in the United States dedicated to Medal of Honor recipients. Subtle nods to "America" remind the listener of the incredible sacrifices made by these brave individuals. While the piece is not overtly patriotic, the olympic-style fanfares and stately themes make it more than suitable for such an occasion! (5:40)Recorded sound courtesy of the U. S . Marine Band. Use of the recorded sound does not constitute or imply endorsement by the Department of Defense, U.S . Marine Corps, or U. S. Marine Band.The terms U.S . Marine Band and "The President's Own" are trademarks of the U.S . Marine Corps, used with permission.

Eternal Friendship - Satoshi Yagisawa

This work is a close-up of the encounters and relationships of trust between people, following the idea that "friendship lasts forever." After the passing of Satoshi Yagisawa's close friend and work partner, Tsutomu Murata, a designer of Neo Create in August 2020, the composer began work on this piece. Murata performed music for audiences primarily as a leader and conductor of Kurume City Brass, a group which is active in Fukuoka Prefecture in Japan. Eternal Frienship depicts a five-minute chorale which explores "how music can convey that a close friend is indispensable to you, more broadly, everyone to someone," much like how Murata conveyed the appeal of music to his audiences. Under the direction of the composer himself, the work had its world premiere and was recorded with the Kobe College Wind Orchestra.