Fribourg - Philip Jules Godard

Fribourg (The Old City) - Derek Bourgeois

Frida Oum Papa - Annie Cordy

Friedensmarsch - Richard Wagner

Rienzi remains one of the most popular works from the ?master of romantic opera?, Richard Wagner. The Friedensmarsch from the fourth act (scene 2) of Rienzi is subdued and solemn in character: in the sounds of this march, Rienzi strides to a stately church service. This is sure to be a very popular addition to any performance and is one not to be missed.

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Friendly Takeover - Oliver Waespi

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

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Friends - Bernard Rittiner

Friends for Life - Dizzy Stratford

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Friends of Freedom - Karel Deseure

This work by the young Belgian composer Karel Deseure was written for the Koninklijke Harmonie (Royal Concert Band) De Wijngaard Vrijheidsvrienden from Wijnegem, Belgium. Following an opening fanfare, a brilliant allegro is heard, featuring great alternating rhythms and virtuoso melodies. At the end, the opening theme recurs, this time with a wider instrumentation. This composition is suitable as an overture or contest piece.

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Friends will be Friends - Freddie Mercury

Friendship - Guillaume Détrez

This piece consists of 2 parts. After an explosive introduction, theme A begins on a rock rhythm. The melody as well as the harmonic sequence certainly recalls things already heard like an old friend... It is a lively and energetic image of friendship. Theme B, on the other hand, is calmer. It is a nostalgic side of friendship represented here. The song ends with the same motif as the introduction.

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