Chorale and Alleluia - Howard Hanson

This well-known, impressive work by Howard Hanson is one of the great cornerstones of the literature for the modern concert band.

Chorale and Canon - Anne McGinty

The opening Chorale section of this very appealling beginning band piece introduces the theme that is then used in the Canon that follows. Skillfully designed to pass the melody to every section, this is a very rewarding piece for beginning groups. First published in 1984.

Chorale and Caprice - James Curnow

This two-movement work has an overall rich and dark quality, brought about by the modal tonal centers. The broad, flowing "Chorale" is based on an original tune by James Curnow and is written with wonderful variety in texture. The "Caprice" creates an interesting contrast with its more lively, aggressive feel.

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Chorale and Celebration - Douglas Akey

This third movement from "Triptych" begins with a solemn chorale, then dives into alternating fanfares and lyricism, finally leading to a rousing finale. Thrilling!

Chorale and Fugue

Chorale and Fugue - Johann Sebastian Bach

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Chorale and Fugue In F - Johann Sebastian Bach

This beautiful Chorale is Number 176 of Bach's 371 Harmonized Chorales, Erstanden ist der Heil'ge Christ; the Fugue is number 4 of his Eight Little Preludes and Fugues.Literature of the highest quality for concert or festival performance.

Chorale and Fugue, Opus 1 - Gerald Sebesky

This song contains only whole notes, half notes, and quarter notes, a great composition for the students first concert. No clarinets cross the break, and the first trumpet's highest note is C.

Chorale and Jubiloso - James Barnes

Beginning with a somber and dramatic chorale, this exceptional concert or contest piece segues into a delightful allegro section which builds and builds to an exciting finish. One of James Barnes most impressive compositions for mid-level bands. Extremely nice!

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Chorale and March - Clifton Williams

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