Blues And Dixie - Philip A. Parker

Blues and Gospel - André Waignein

Blues Band, Clairons Ad Lib - Charles Beck

Blues Boogie - Philip A. Parker

Blues Concerto - John Briver

Blues for Bessie - Kees Vlak

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Blues for Big Ears - Mark Nightingale

Blues for Big Ears is one of Mark Nightingales' Easy Jazzy Tudes, one of Warwick Music's bestselling publications. The band arrangement came about as a result of a stroke of inspiration. After teaching the piece to pupils the idea to arrange it for band was formed. The solo in the middle can be read, or if you have a budding player who likes to improvise feature them. The quavers throughout should not be swung! The Tubas and instruments playing the bass part, should aim for a light sound, and try to imitate the sound of a double bass playing pizziccato. As there are easy parts attached, band directors can include their youngest players, so they don't feel left out. If you have a good drummer, get him to improvise during the fills, rather than read the notated part.

Blues for Brass - Jan van Nerijnen

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Blues for George / Latin Vacation - James Rae

James Rae presents two more exciting pieces for concert band in volume 4 of our series "The Concert Band Collection": "Blues for George", a tribute to George Gershwin, and the Latin-American-spirited "Latin Vacation". Attention is given to each instrument so that the technical and musical requirements do not exceed UK Grade 3. An optional piano part will provide support for the young players who will quickly enjoy James' catchy and imaginative music!

Blues Forever - Roland Kernen

The Blues is a well-known style of popular music. The name does not come out of thin air. After all, the term 'blues' refers to a state of mind: with the sentence 'I got the blues' someone means they are in low spirits. The blues originate in the melancholic music that the slaves in the southern United States made to relieve their depressing circumstances to some extent. This new concert work makes use of 'blue notes' (the flattened 3rd and 7th notes of the scale) which give this exciting work its blues sound.

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