Walzerzauber

The genre operetta (literally meaning 'small opera') originated halfway through the 19th century, as an antidote to the ever-lengthening opra comique, which by that time contained more and more tragic intrigues as well. In this charming work, three waltz melodies from different operettas come together. First, we hear 'Lippen schweigen' from Die lustige Witwe (The Merry Widow) by Franz Lhar (1870-1948). Then follows 'Ja, das alles auf Ehr' from Der Zigeunerbaron (The Gypsy Baron) by Johann Strauss the younger (1825-1899), after which 'Tanzen mchte ich' from Die Czardasfrstin by Emmerich Klmn (1882-1953) closes the medley in a cheerful way. Franz Watz has skilfullyconnected the waltzes to become a magical whole.

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Wanderleben - J. Meister

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Wann wird's mal wieder richtig Sommer?

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Want to Want Me - Sam Martin

From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged. (2:15)

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Wapperende Vlaggen - Albert Kappert

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War and Peace - Jerker Johansson

War and Peace was commissioned 2021 by The Royal Swedish Navy Band and conductor Alexander Hanson to mark the celebration of The Svea Life Guards' 500th anniversary.I. "Fanfares and Battle" opens in a heroic and optimistic nature but changes abruptly as the medieval hymn Dies Irae, Day of Wrath, brakes in. The battle commences. The movement ends with a recap of the opening part.II. "In memoriam" is a funeral march in memory of war victims and suffering people.III. "Peace and Rejoice" pictures soldiers and people celebrating that the war is over. The music reflects an atmosphere of dignity, optimism and joy for life.

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War Dance - Ottorino Respighi

War March Of The Priests

War March of the Priests - Felix Mendelssohn Bartholdy

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Warlords - David Gorham

A powerful work written specifically to appeal to first-year musicians who will love the bold echoes of ancient times and adventure. Beginning musicians will find this heroic, enjoyable work well within their abilities, while directors will appreciate the writing that keeps all sections involved and active. Young groups will sound absolutely marvelous with the careful writing and strong scoring in this work, perfect for impressing audiences at concerts and festivals.