Vision of Liberty - Thomas Doss

Vision Quest - Chris Sharp

In Native American culture, the vision quest is a rite of passage for adolescents signaling their entry into adulthood. This powerful rite is captured in a bold new work by Chris Sharp. After a forceful introduction, a contemplative lyrical passage signifies the beginning of this spiritual journey. A bright 3/4 section then conveys thoughts of great bravery and leadership as the piece builds to its powerful conclusion.

Vision Quest - Vince Gassi

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Visions - Bert Appermont

With this piece, the composer wanted to create a dream-like experience for the listener. In each of the four movements (Absence, Caprice, Nocturne and The Return) a different dream state is evoked using multiple rhythmic patterns and extended playing techniques. This is a dazzling addition to any saxophone repertoire.

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Visions - Bertrand Moren

Visions (4. From Celestial Dancers) - Eric Ewazen

Ewazen seemingly takes inspiration from an endless array of sights, environments, and events. It would be impossible for him to be exposed to the wonder of Angkor Wat and to not distill his impressions into music. In fact, he created four distinct impressions for wind ensemble. Performance notes are included, which help to describe the settings and the thoughts behind them.

Visions for Video - Pi Scheffer

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Visions Macabres (Macabre) - James Barnes

Visions of Aranjuez - Mark Williams

Legends of the Spanish countryside come to life in this driving original by Mark Williams. A fiery tempo combined with syncopated rhythms make this a sure-fire crowd pleaser. Beginning quietly with only tambourine and triangle, instruments are added gradually, eventually building to a powerful and satisfying conclusion. A "must-have" addition to your young band library. (2:25)

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Visions Of Jericho - Daniele Carnevali

The piece, commissioned by the "Banda Orchestra G. Bovo" from Carmignano di Brenta (Padua), was inspired by two paintings by the artist Galeazzo Vigan, which were in turn commissioned to celebrate the anniversary of the founding of the band. The two paintings, entitled "Gerico 1 and 2", their mirror-like arrangement, the alternation between fullness and fineness and the use of numerical symbols (especially the repetition of the number 7) are used as musical material in the formation and subsequent development of the themes. Similarly, the formal mirror-like arrangement of the allegro vivo and the alternation of the monodic and chordal styles (fineness - fullness) seek to create a bond between the pictorial and musical languages.