Temple of Darkness - Rob Grice

Temple of Darkness was conceived as a concert piece to be performed within the first year of beginning instruction. Every effort has been made to give young players the experieince of performing a mature-sounding composition with little technical demand. Only the first notes learned in most beginning method books are utilized in this composition. Rhythms are the whole note, half note, quarter note, and eighth note. Percussion plays a vital musical role without placing too many demands on the developing percussionist.

Temple of Sinawava - John O'Reilly

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Tempo di Marcia from Symphony No. 1 - Einar Englund

Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass

Temps Des Cathdrales (Le) - Riccardo Cocciante

Temps Des Cerises (Le) - Renard

Temps Des Fleurs (Le) - Dalida

Temps Libre - John Briver

Temptations

Tempus Fugit - Eric Swiggers

Tempus Fugit - James Curnow

Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow's striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece.Carpe diem!

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