Tema fra Moldau [Main Theme from Vltava] - Bedrich Smetana

Temblor - Sean O'Laughlin

Of Spanish origin, the word "temblor" means tremor or earthquake. This composition for the developing concert band is as unstoppable as the natural disaster it embodies. Aggressive in nature, but with some well placed repose and a stunning maestoso climax, Temblor is bound to excite students and audiences alike.

Temecula Valley Fanfare - Richard L. Saucedo

With an energetic percussion score and explosive style, this work is a perfect concert opener for young players. Careful use of mixed meters plus repetitive rhythmic figures help to give this a distinctive sound, and yet it's easy to learn. Dur: 1:30

Temeraire (le) - Mougeot

Tempestas - Halferty

An outstanding contest-oriented piece that's exciting, dramatic and extremely impressive in performance! In addition, TEMPESTAS will be an exciting and rewarding piece to teach.

Temple Of Artemis - Erick Debs

Temple of Darkness - Rob Grice

Temple of Darkness was conceived as a concert piece to be performed within the first year of beginning instruction. Every effort has been made to give young players the experieince of performing a mature-sounding composition with little technical demand. Only the first notes learned in most beginning method books are utilized in this composition. Rhythms are the whole note, half note, quarter note, and eighth note. Percussion plays a vital musical role without placing too many demands on the developing percussionist.

Temple of Sinawava - John O'Reilly

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Temple Of The Gods - Sergei Iwanowitsch Tanejew

This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, "Temple of the Gods" offers a unique performance opportunity for mature bands. Exceptional!

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Tempo di Marcia from Symphony No. 1 - Einar Englund

Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass