Il Barbiere Di Sivigla - Gioachino Rossini

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Il Barbiere di Siviglia - Gioachino Rossini

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Il Barbiere Of Seville - Gioachino Rossini

Il Bersagliere - Eduardo Boccalari

Carl Fischer proudly welcomes this great Italian march back into its catalogue. This new edition not only provides the band conductor with a full score, but the full size parts are more readable by the performers as well It is a challenging italian style march that is considered by many to be among the best ever written. Van Ragsdale's edition is true to the original.

Il Bidone - Nino Rota

Il Bosco Del Re - Leo Capezzuto

Il Briccone - Thomas Doss

A wind music federation from Upper Austria commissioned Thomas Doss to compose Il Briccone, the Italian word for scoundrel. It is an elegant concert march which combines light ironic elements with virtuosity and exciting rhythms. Its alternation between chamber music-like passages with figures from solo instruments combined with surprising stylistic changes keeps everybody's interest. This march is sure to be a great crowd pleaser.

Il Cantico - Oliver Waespi

Commissioned by the Stadtharmonie Zurich Oerlikon-Seebach for the 2005 WASBE Conference in Singapore"Il Cantico" was inspired by the poem "Cantico di Frate Sole" (Canticle of Brother Sun) by St. Francis of Assisi. In this famous mystic poem, St. Francis expresses his gratitude to God for the creation of nature, the sun, the earth and the living beings."Il Cantico" is based on specific parts of St. Francis's poem. A slow, dreamlike song in the flute leads gradually to the appearance of the sun, the light energy of which is expressed by radiant, powerful music in the brass instruments. The next, slower part of the work is dedicated to the moon (sora luna), a sort of mirror of thesun, and to the stars (le stelle). The music becomes more thoughtful, leads to a calm sound field in the woodwinds and later to a mystic horn solo. Still during the slow part, several chord fragments flash up, thereby announcing the fast ultimate part of the work. This part is about the fire (frate focu) illuminating the night, some sort of representative of the sun on earth. Towards the end of the work, the sun theme is combined with the fire theme.Besides these images, a purely musical structure guides the development of Il Cantico. Almost the entire piece evolves from a basic four-tone cell which appears in the horns and flute at the beginning. Consequently, the work is mainly monothematic and structured in the form of a metamorphosis. The basic cell gradually leads to a rich melodic and harmonic development. This basic material is later completed by a new chord series belonging to the fire theme. In the conclusion both approaches are combined.

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Il Canto - Michael Geisler

Il Cappello di Paglia di Firenze - Nino Rota