Jeanne d'Arc - Alex Poelman

Jeanne d'Arc (Joan of Arc) is a consistent solo piece for French horn and symphonic band. The score evokes the life story of the 14th century French heroine and freedom fighter. God orders her to deliver her people from the English oppressors. Driven by a strong will, the French gain one victory after another, but in the end the French get fed up with Jeanne's desire for liberty. She is betrayed and handed over to the English. At her trial she refuses to swear the oath and is condemned to the stake. Joan of Arc is canonized by the Catholic Church as late as in 1920. In the score the heroine is represented by the solo French horn. The horn's many-sided characteristics, ranging from romantic sounds to heroic passages in the upper register, are demonstrated throughout the different parts of the story. 'Jeanne d'Arc' was premiered by the symphonic band Wilhelmina Glanerburg with the fantastic French horn soloist Ren Pagen in 2006.

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Jeanni - Piet Stalmeier

Jeanphil - Ray Sciberras

Jeepers Creepers - Harry Warren

Jefferson County Overture - John O'Reilly

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Jefferson Forest Sketches - Michael Oare

Jefferson Forest Sketches is a programmatic work depicting the beauty and grandeur of the Jefferson National Forest along the Appalachian Mountains. From dawn breaking over the mountains, to breathtaking panoramas, to a seeminglyendless expanse of wilderness, composer Michael Oare takes us through a variety of scenes and moods. The piece concludes with a lively tribute to the reels and dance tunes common to the area in the colonial period. Dur: 3:15

Jefferson:A Vision For America - Robert W. Smith

Jekyll & Hyde - Alex Poelman

Dr Jekyll researches the evil in man and succeeds in creating a potion that transforms him into his alter ego, Hyde. However, Jekyll loses control and fights an inner battle with Hyde. He loses this battle when Hyde commits murder. Understanding that there is only one way to resolve this, Jekyll kills himself and thus Hyde. In this solo concert the main characters Jekyll and Hyde are played by two solo trumpeters. The different sides of the trumpet are highlighted in this story: from the lyrical passages (Jekyll) to the sharp, mean and dark passages (Hyde). A challenging adventure for orchestra and soloists.This is rental music. Please contact us at [email protected]

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Jello, The Colours Of My Soul - Ben Haemhouts

Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.

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Jellybeans - Gary Gazlay

Your young band will really be in their own element when they are rocking to the jellybean song! Every section gets to join in on the melody somewhere and the rhythmic reinforcement found within is a priceless tool for the teacher of young band students. This is the kind of piece your students will drive you crazy with because they'll want to play it again and again (and again!) If you are looking for something FUN to do with your group as a contrast to your more serious pieces, you've found it.Tasty!

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