Obi-Wan (from Obi-Wan Kenobi) - John Williams

From the new series Obi-Wan Kenobi, this Star Wars character finally gets his own theme! John Williams masterfully captures the emotional depth of the character along with a spirit of adventure. Scored here for flexible instrumentation.

Oblivion - Astor Piazzolla

Arranged here for flexible soloist and band, this sensuous melody from Argentine tango composer Astor Piazzolla provides a stunning showcase for Flute, Oboe, Clarinet, Alto Sax, or Trumpet soloist. Beautifully scored for band andcarefully paced.

Oboitoke - Philip A. Parker

Obwaldner Marsch - Stephan Jaeggi

Occident and Orient, Op. 25 - Camille Saint-Saëns

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Ocean Blue - Adrian B. Sims

Experience panoramic snapshots of marine life within the ocean through the cinematic lines of Ocean Blue, by Adrian B. Sims. Oceanic melodies weave throughout deep harmonic structures to create a complex musical work that happens to be extremely playable. A unique way to bring your students out of the band room and into the ocean! (3:20)

Ocean Breezes - Victor Herbert

Ocean Queen - Losey

Note: This is a reprint from a vintage publication of 1896. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Ocean Ridge Rhapsody - Robert Sheldon

This spirited offering is teeming with vitality and color. The festive opening leads to a romantic theme with broad sweeping lines. The energetic ending is a well-crafted blend of rhythmic development and melodic content from the pen of this very popular composer. Highly recommended for contest.

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Oceania Dances - Kevin Mixon

Oceania Dances uses traditional music from Tahiti and Hawaii, islands located in the geographic region of the Pacific Ocean commonly referred to as Oceania. The recurring rhythms, prominently presented in the percussion solo sections, are derived from frenetic percussion music used to accompany Tahitian dancers.This piece gives you the chance to include the music of other cultures, but yet still has all of the traits of solid band literature. You can't go wrong with this selection for contest/festival.