Highway to Hell - Malcom Young

Highwood Overture - John Tatgenhorst

This exciting overture opens with a fanfare section that emphasizes the brass and is active rhythmically as well as harmonically. A strong, full sound will result from the richly scored chromatic parallel triads. For musicalcontrast, the middle section is quasi-rubato and very lyrical, relying mainly on the woodwinds with low brass added later. The transition back to the original rhythmic fanfare is smoothly written and effectively brings the work toa close. This overture is a fine choice for concert, contest and festival. (Grade 3)

Hijo De La Luna - Andres Jose M. Cano

This popular song, originally sung by Mecano, has been covered many times and has now become a classic. Following the version by Sarah Brightman, the Flemish artist Belle Perez also recorded a version which was a top three hit in the Belgian and Dutch charts.

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Hiking With Music - Lutz Bürger

Hiland - Harold Bennett

The yearly release of a Larry Clark arrangement of a classic Harold Bennett (aka Henry Fillmore) young band march has become a tradition at Carl Fischer. These wonderfully tuneful marches are great choices for contest/festival and for teaching the standard American march form and style to your students. Larry has been a champion for getting young bands to play in this important style and has successfully brought us another lost gem by Henry Fillmore.

Hilario - Charles L. Barnhouse

Hill-Song No. 1 - Percy Aldridge Grainger

Hillbilly Hoedown - Schaeffer

That good country feeling and fun for bands and audiences alike.

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Hillbilly Serenade - Robert Kelly

Complete Concert Set includes: Full Score, Condensed Score, picc, 2 fl, 2 ob, 6 cl, al cl, bs cl, 2 bsn, 2 al sax, tn sax, 6 crt, 8 hrn, 4 tbn, 2 tbn/bs, 2 bar, 3 bs, tm, 2 percSymphonic Set includes: Full Score, Condensed Score, 2 picc, 3 fl, 2 ob, 12 cl, al cl, bs cl, 2 bsn, 2 al sax, tn sax, 8 crt, 8 hrn, 2 tbn, 2 tbn/bs, 2 bar, 3 bs, tm, 4 perc

Hillcrest - Nancy H. Seward

This bright, happy selection presents a review of all the common sixteenth-note patterns. It is perfect for rhythm studies, and for work on good, appropriate articulation. A legato, lyrical section in the middle provides a contrasting style and the opportunity to focus on playing musical phrases with alternating brass and woodwind sonorities.