Full Option - Stef Minnebo

This original work for rock guitar solo and orchestra by StefMinnebo is unique in its kind and is therefore a must if you like innovative concert programmes. Although this is a true solo work with ample scope for improvisation(ad libitum) for the soloist, the orchestra has also been given a significant role that goes beyond mere accompaniment. The guitar section has been written out in tablature and in notes, which makes it easier for the soloist. A challenging work, not for the faint hearted!

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Full Spectrum - James L. Hosay

Full Spectrum attempts to capture the beautiful spirit and diversity of Washington, D.C. Varying meter, complex and countering rhythms, percussion instruments of various ethnic origins, and authentic international rhythmic groovcs are all combined by James Hosay to portray the vast diversity of one of the world's great cities

Full Speed - Philip A. Parker

Full Throttle - Robert W. Smith

With engines revving and starting lights descending, our car race begins with all of the energy your musicians can deliver. Powerful and biting harmonies combined with mixed meters and flowing melody make "Full Throttle" a musical experience that will captivate your concert band. Teaching opportunities abound in a programmatic setting that will engage concert bands of all ages.

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Full Tilt - Richard L. Saucedo

Commissioned by the Northeast Oklahoma Band Directors Association, this relatively brief yet energetic work certainly lives up to its title! Stretching harmonic boundaries and filled with rhythmic vitality, Richard uses sections of mixed meters and a variety of unique orchestrational effects to create a stunning concert opener. Dur: 3:50

Full Time - Philip A. Parker

Fultonaire - Watson

Fum, Fum, Fum

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Fun & Ky - Federico Alotto

Fun Fiesta - Schaeffer

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