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  £159.20

  

  Chasing the Mystery - Kevin Houben

  Commissioned by KU Leuven on the occasion of the 600th anniversary of KU Leuven.Chasing the MysteryKevin HoubenDedicated to the Wind Orchestra Universitair Harmonieorkest (UHO) of KU Leuven.Chasing the Mystery is the final movement of the triptych Beyond the Horizon of Thought.On the occasion of KU Leuven's 600th anniversary in 2025, the university commissioned Kevin Houben to compose a new work tailored to the Universitair Symfonisch Orkest, the Universitair Harmonieorkest and the Leuvens Universitair Koor. Maud Vanhauwaert, writer-in-residence during the 2023-2024 academic year, provided a poetic libretto.With Beyond the Horizon of Thought, Kevin Houben created not only a unique anniversary composition for more than 250 student musicians. The composition also conveys a universal message that perfectly reflects the spirit of the celebrating university: keep searching, keep developing yourself and keep hoping - even in turbulent times.From a compositional perspective, the work is built around themes and motifs with a clear symbolism. Kevin Houben explains: "I use a technique in which letters are converted into musical notes - a method also used by great masters such as Bach, Bartk and Shostakovich. This musical signature forms the basis of the melodic structure. In this way, 'KUL600' is represented by the notes D - G - E - F (re - sol - mi - fa)."The composition is conceived as a triptych: three movements that flow seamlessly into one another and are performed by different orchestral formations, yet together form a single whole. The work opens with the symphony orchestra, where the thematic 'KUL600' cells are introduced and explored. In this movement, Awakening the Wonder, several highlights establish a musical connection with the following movements.In the second movement, The Urge of Search, the choir sings a cappella to the poem Het is het by Maud Vanhauwaert, in which she reflects on the tireless quest for knowledge that has characterized the university for 600 years. Classical Gregorian techniques and traditional voice leading enter into dialogue with contemporary techniques, as the singers alternately whisper, call out and proclaim.Finally, the wind orchestra introduces the third movement, Chasing the Mystery. With a searching and anticipatory character, the orchestra presents the thematic cells in soloistic fashion, based on the main melody of the choral movement. References once again appear to the rhythmic 'KUL600' cells, which ultimately culminate in a grand apotheosis. A solitary soprano saxophone opens the finale with the 'KUL600' theme in its most intimate and meditative form. The expanded choir then joins the orchestra for an impressive final chord, musically preparing KU Leuven for the next 600 years.Beyond the Horizon of Thought premiered on Wednesday 23 and Thursday 24 April 2025 at LUCA Campus Lemmens, and was also performed on 9 May 2025 at Concertgebouw Brugge on the occasion of the 600th anniversary of KU Leuven. More than 250 musicians from the Universitair Symfonisch Orkest (USO) conducted by Edmond Saveniers, the Leuvens Universitair Koor (LUK) conducted by Kevin Hendrickx, and the Universitair Harmonieorkest (UHO) conducted by Erwin Scheltjens shared the stage.Cover illustration design: Grotezk Studio.

  Estimated dispatch 7-14 working days
  
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  £214.80

  

  Skies - Oliver Waespi

  Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.

  Estimated dispatch 7-14 working days
  

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