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£155.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£94.99
Pilgrims' Swing - Graham Lloyd
The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred yearslater, he could have become one of our big band leaders!
Estimated dispatch 7-14 working days
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£69.99
Jumpin' at the Swing Train - Stephen Bulla
Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain, and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!
Estimated dispatch 7-14 working days
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£61.00Anchors Aweigh (in Swing) - C. Zimmermann
Charles Zimmerman (1862-1916) was 'bandmaster' at the U.S. Naval Academy during thirty years. He wrote his famous march Anchors aweigh at the request of the Academy's Senior Class in 1907. They asked him for a stirring inspiring march that could also be used as 'war song' for their (American) football team and ... that could also maybe remain popular for some time. This turned out to become true. Pi Scheffer's splendid swinging arrangement combining a Dixieland combo and symphonic band was a big success when recorded by the Marine Band of the Royal Dutch Navy and the Dutch Swing College Band.
Estimated dispatch 7-14 working days
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£47.50Ready to Swing - Gwyneth Walker
Created through a unique collaboration between composer Dr. Gwyneth Walker and the Saxe Middle School 6th Grade Band, Ready to Swing! is a lively, jazz-inspired piece packed with energy, dynamic percussion, and playful choreography. Designed to engage young musicians and audiences alike, this fun and interactive work brings excitement to any concert program.
Estimated dispatch 7-14 working days
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£46.90Join the Band - Peter Goosensen
Peter Goosensen (1967) studied the trombone, the euphonium and wind band conducting at the conservatories of music of Alkmaar and Amsterdam. This is an excellent lively piece of swing music with a lot of nice effects. Peter Goosensen succeeded in writing a rather easy composition yet full of spirit. No doubt, many young listeners in the audience will fancy to 'join the band'!
Estimated dispatch 7-14 working days
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£45.95
Joshua Concert Band - Balent
Based on Joshua Fit De Battle of Jericho, this upbeat swing arrangement is a guaranteed crowd pleaser. Modest range and technical demands make it easy to focus on style in your teaching. The band even has a chance to puttheir hands together (and consider getting the audience involved as well!). Characteristic of Andrew Balent, the piece works with varying instrumentation and is easy to put together.
Estimated dispatch 7-14 working days
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£52.00The Band Room Blues
Play The Band Room Blues and learn how to swing! Explore this beautiful Black-American art form through this very accessible piece; featuring comprehensive swing technique for ALL instruments and a written call and response solo section for trumpet and trombone. Students are encouraged to write their own 12-bar blues inspired by their lived experiences in the band room, blues format is clearly outlined in an attainable manner and composition prompts provided.
Estimated dispatch 12-14 working days
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£84.99Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£60.99San Francisco Swing (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
In the 1980s and 1990s there was a new surge of interest in the old swing of the 30s and 40s. The epicentre of this swing revival lay in the American state of California, Los Angeles and San Francisco in particular. Based on the rules of the old swing in which each beat has a ternary subdivision but with more contemporary sounds and harmonies, Peter Kleine Schaars composed this work San Francisco Swing. Through the frequent use of the rhythmic cells 22 and 24 in all parts of this composition, each band, irrespective of its experience with swing music, will be able to give a swinging performance!Duration: 3.00
Estimated dispatch 7-14 working days
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