Results
-
£74.99Amazing Amadeus - Wolfgang Amadeus Mozart
2006 celebrates the 250th anniversary of the birthday of possibly the greatest composer that has ever lived, Wolfgang Amadeus Mozart (1756-1791). With a prolific output of symphonies and concertos as well as chamber and keyboard works his music is timeless and suitable for any occasion. Michael Friedmann has taken some of the most famed themes, La ci darem la mano from Don Giovanni, Romance from Eine kleine Nachtmusik, a theme from The Marraige of Figaro, Alleluja from Exultate Jubilate, Papageno?s bell tune from The Magic Flute, an Adagio and Ah, vous dirai-je, maman to craft a wonderful ode to Mozart to celebrate his anniversary and, with this magnificent compilation, you areable give any concert a beautiful touch of ?the master at work?.
Estimated delivery 7-14 working days
-
£112.50
Ascendance - Robert Thurston
A dynamic concert overture that derives most of its force and material from the striking fanfare motive announced in the opening measure by horns and trumpets (concert Eb, Bb, Ab, Db). The bold opening in compound time is followed by a suave and flowing Adagio in 4/4 meter that makes a lovely tune out of a variant of the opening motive. At measure 103, with a marimba solo, the Allegro style and compound meter return for a rousing and invigorating climax. This piece is a significant addition to the band repertoire for concert and contest. Duration: 6'30" Keys: Eb, Ab Ranges: Trumpet-A, Horn-F, Trombone-G
Estimated delivery 7-14 working days
-
£79.99
Elegy - Melvin L. Shelton
A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The "Adagio e Rubato" tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.
Estimated delivery 7-14 working days
-
£159.99Alpine Flowers' Party! - Itaru Sakai
The Hida High School is in a highland city called Takayama in Gifu Prefecture. Takayama City has some of the highest mountains in Japan, atmospheric rows of houses and streets, and a beautiful landscape. The magnificent views from these mountains can be described as a paradise above the clouds. When the composer visited there in the summer of 2001, the lovely flowers spreading through the valley and the refreshing air welcomed him. The flowers looked as if they were fashionably dressed and fully enjoying conversation and a short summer at a reunion party. The composer was inspired by this scenery to compose this piece. The musical party opens with happy greetings of a reunion andjoyful themes follow one after another. A light xylophone solo, a waltz and an adagio featuring alternate solos by alto saxophone, euphonium and trumpet lead to a brilliant finale featuring brass and percussion played in irregular time. A beautiful musical picture that your band will enjoy performing for many years.
Estimated delivery 7-14 working days
-
£159.99
Symphonic Variants - James Curnow
Through variations in tempo and tone, the Symphonic Variants bring forth the sonority of the euphonium and the skills of the soloist. The work begins with an allegro con espressivo statement of the theme and alternates with adagio and allegro con spirito variations. Lento, presto, and pesante treatments add further interest to the composition.
Estimated delivery 7-14 working days
-
£72.95
Air and Caprice - Larry Clark
Perfectly scored for younger players, Air and Caprice is a classically balanced piece in two distinct tempos (Adagio and Allegro), with nicely related but contrasting musical materials. It will be an excellent choice for concert and contest performance. Duration: 3'25 Key: F Ranges: Trumpet - E, Horn - C, Trombone - D
Estimated delivery 7-14 working days
-
£209.99
Suite - Boudewijn Cox
Suite for symphonic wind band is a rich orchestral piece that taxes the musicians to the utmost. The first part starts with a lyric melody in the French horn section, to be taken over by the full orchestra, ending in a kind of "anarchistic entrada". The second part starts with a transparently orchestrated polyphonic web, slowly passing into a richly arranged wave like movement that stops suddenly, leading to the third part's "attaca" start. This third part is a fragile "adagio con tenerezza". The finale is extremely virtuous and feriocious. It is a musical expression of anger, fear and despair.
Estimated delivery 7-14 working days
-
£105.80Magellano - Andrea Moncalvo
This composition was written on the occasion of the 500th anniversary of the death of Ferdinand Magellan, a Portuguese explorer (1480 - 1521), who embarked on what would have become the first circumnavigation of the globe. Unfortunately, he did not complete it because, in 1521, he was killed in the region that is today the Philippines. This adventure triggered various images in the author's mind; evocations that the composer elaborated in this piece, which is in a tripartite form (A B A) and is introduced and concluded by a solemn fanfare evoking the departure of the expedition, consisting of 5 ships with a total of 234 crewmen. The first part (Allegro) presents a main theme with a cantabile character that describes the fleet that, intrepid, plows the ocean. This initial melody is then contrasted by a more rhythmic and syncopated theme in a minor key, which instead refers to the indigenous peoples they have encountered during the journey. The central section (Adagio) is an oasis of reflection because, as in other great adventures, this too has tragic aspects: mutinies, shipwrecks, clashes with indigenous peoples, up to the disappearance of those who had desired and planned this enterprise. The last part proposes the themes of the first section but in reverse order, to describe the return to the homeland. The solemn fanfare welcomes the arrival of the Victoria, the only surviving ship with only 18 men on board, which returns to the port of departure after completing the circumnavigation of the earth in 2 years, 11 months, and 17 days.
Estimated delivery 7-14 working days
-
£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated delivery 7-14 working days
-
£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated delivery 7-14 working days
View Music