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£49.50Nottingham Sketches
This delightful overture has a slightly British sound that is perfect for concert or contest performances by developing bands. The bright allegro section features strong melodic themes in the woodwinds that are followed by an impressive melody for all of the lower instruments. The adagio section includes solos for trumpet and flute before building to a lush full band sound. Very playable, this appealing piece is sure to pay big dividends for your band program. Extremely nice for this grade level!
Estimated delivery 7-14 working days
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£49.50
On Freedom's Wings
A unique selection for middle school groups by a bright new composer that is a wonderful choice for all concert or contest performances. The adagio section features short solos for clarinet, flute and baritone. Utilizes harmonic materials not usually found in compositions at this grade level yet very playable and musical. Very nice!
Estimated delivery 7-14 working days
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£67.32
Spirit of the Pioneers
Featuring themes that evoke the spirit of the settlers moving westward, this delightful Greg Hillis composition is an exceptional choice for any mid-level band concert or contest performance. The adagio section begins with short solos for flute, clarinet, horn, bells and baritone (all are cued elsewhere) before building into a lush and powerful tutti. Full of appeal for audiences and players alike, this dynamic piece is sure to make your band sound like a million bucks!
Estimated delivery 7-14 working days
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£154.99
The Fever Tree Wind Band Set (Score & Parts)
The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe, was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord, who same time in this region led mission. Willibrord commanded the man to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed, and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader, who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow, comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief 09:45
Estimated delivery 7-14 working days
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£28.36Planet Earth (Brass Quartet) Matthew Brown
Planet Earth (2022), by Matthew Brown, is an impression of life on Earth during times of war. It is loosely inspired by Christopher Nolan's film Dunkirk (201 7) which depicts moments of Dunkirk evacuation from three different points of view. The composer writes: 'In the closing few seconds of this work, I prefer to imagine Earth as if viewed from a distance.' The work is comprised of 3 movements: I - Land (Allegro) II - Sea (Adagio) III - Air (Vivace - Presto - Vivace - Tranquillo) To view a performance of the work please visit https://www.youtube.com/watch?v=ouikwSO49OQ Length: c8.00 minutes Instrumentation: Cornet in Bb (doubling Flugelhorn) Horn in F Trombone Tuba A version for brass quintet is also available here.
In stock: Estimated delivery 1-3 days
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£28.36Planet Earth (Brass Quintet) Matthew Brown
Planet Earth (2022), by Matthew Brown, is an impression of life on Earth during times of war. It is loosely inspired by Christopher Nolan's film Dunkirk (201 7) which depicts moments of Dunkirk evacuation from three different points of view. The composer writes: 'In the closing few seconds of this work, I prefer to imagine Earth as if viewed from a distance.' The work is comprised of 3 movements: I - Land (Allegro) II - Sea (Adagio) III - Air (Vivace - Presto - Vivace - Tranquillo) To view a performance of the work please visit www.youtube.com/watch?v=ouikwSO49OQ (please note this is the quartet version). Length: c8.00 minutes Instrumentation: 2 Trumpets in Bb Horn in F Trombone Tuba A version for brass quartet is also available here.
In stock: Estimated delivery 1-3 days
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£53.00Air and Caprice
Perfectly scored for younger players, Air and Caprice is a classically balanced piece in two distinct tempos (Adagio and Allegro), with nicely related but contrasting musical materials. It will be an excellent choice for concert and contest performance. Duration: 3'25" Key: F Ranges: Trumpet - E; Horn - C; Trombone - D
Estimated delivery 12-14 days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated delivery 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated delivery 7-14 working days
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£154.99Lake of the Moon - Kevin Houben
The travels of the Aztec people as they headed south through North America looking for a new home, acted as the inspiration for Lake of the Moon. The composition contains small fragments of Oriental music and South American rhythms andoccasionally, Russian Cossacks seem to raise their heads. The journey from North to South is not without danger, which is represented by threatening sounds within the music. In the Adagio divoto the composer takes us along to the Texcoco Lake,which the Aztecs called the lake of the moon. Bring a little bit of South American history to your concert with Lake of the Moon.
Estimated delivery 7-14 working days
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