Results
-
£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated delivery 7-14 working days
-
£109.99
The Bermuda Mystery - Wouter Lenaerts
The rather static character of the first part is built up of only 1 bar, which consists of a sequence of two extended triads above a pedal note (B-flat). The main motive, derived from these triads, is introduced by the horns giving a threatening initial atmosphere. This is abruptly taken over by the clarinet and the oboe, after which violence erupts.In contrast to the mysterious character of the first section, the second part shows a more resigned atmosphere with long drawn out phrases. These are constantly interupted by references to the initial material and develop into a dramatic climax. The main motif reappears for a final time on the trumpet, which, under theinfluence of the second theme, takes on a more resigned character as it gradually fades into silence.
Estimated delivery 7-14 working days
-
£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated delivery 7-14 working days
-
£63.00Dances Fantastique - David Shaffer
This exciting new work for concert band is a set of three delightful dances. Opening with a bold fanfare statement, the first dance reveals the melodic material that is the basis for all three movements. The title of this movement, Double Dance, is derived from the second statement of the melody, appearing in doubled rhythmic values. The second movement, Round Dance, the melody is written as a three part round. You could not have a Round Dance without a Square Dance, which is the title of final movement. Lots of fun percussion instruments add interesting timbres throughout. This interesting and clever composition is perfect for contest and festival.
Estimated delivery 7-14 working days
-
£109.99
Musica Festiva - Menno Bosgra
This 3-part work begins with a martial and heroic theme where the brass and drums play an important role. A second melodic theme contrasts with the first, although elements of the first theme remain clearly present and they in turn provide a link to the second, calmer movement which is introduced with a splendid solo on the saxophone. You can hear fragments of the first part here too.In the third part, the small drum begins to play the background theme and is followed by a grand group of brass instruments playing a heavy concert march which, after an increase of tempo, gradually ends in a grand finale which refers once again to the initial theme.
Estimated delivery 7-14 working days
-
£102.70Faber Suite - Michele Grassani
Faber is the ancient Latin name that was used to designate artisans. The Suite, which is divided into three movements, pays tribute to them, in the hope that their activities will not completely disappear. The first movement (Maestoso) represents the carpenter who, after completing his creation admires it with satisfaction. The second movement (Adagio) describes the work of the tailor: the first part is more meditative and portrays the use of needle and thread, while the second, characterized by forceful rhythmic strettos, describes the ancient and complex use of the weighted loom. The last movement (Presto), characterized by irregular rhythms and constant changes of tempo, introduces us to a blacksmith's shop full of intense and loud metallic noises.
Estimated delivery 7-14 working days
-
£98.50The Winds of Poseidon (from The Odyssey (Symphony No. 2)) - By Robert W. Smith
The Winds of Poseidon launches the eagerly awaited Second Symphony from the pen of Robert W. Smith. This work, the second movement of the symphony, is based on the classic story The Odyssey. Odysseus is the shipwrecked warrior who wanders the land and sea for ten years, and this bold musical statement captures the essence of the powerful winds and waves that propel Odysseus on his journey. The center section was inspired by the tale of the Sirens, whose beautiful and captivating singing lured sailors to their deaths on the rocks. The genius of the composer is strongly in evidence in this gigantic musical tale. (7:33)
Estimated delivery 3-5 days
-
£87.50The Iliad (from The Odyssey (Symphony No. 2)) - By Robert W. Smith
Calls to war are the prelude to this first movement of Robert W. Smith's Second Symphony for band, based on the classic story of 'The Odyssey'. You'll experience the squeaky wheels of the Trojan horse, the forest burning, and the sword fight amidst the distinguished regal melodies and energetic rhythms that drive to a conclusion. The ocean's presence is evident in the optional transition to the second movement, "The Winds of Poseidon" (BD9923). Much awaited, this work is monumental in nature. (7:44)
Estimated delivery 3-5 days
-
£73.50Geometrics in Sound, Opus 29 - By Martin Mailman
"Geometrics in Sound, Opus 29" is the second in Mailman's series of concert band compositions exploring and developing musical motifs by use of frequent shifts in metric patterns and extensively varying the major themes. Dedicated upon it's publication in 1964, the work was created with affection and gratitude to Herbert L. Carter, then the band director at East Carolina University. Second in a series of five original works exploring frequent shifts in metric patterns and extensively varying the major themes, it is composed without a key signature and is characterized with an exciting contemporary sound. (5:45)
Estimated delivery 3-5 days
-
£8.95The Edge of Glory - Words and music by Fernando Garibay, Stefani Germanotta, and Paul Blair / arr. Reid Thomas
"The Edge of Glory" was a #3 hit on the US Billboard Hot 100. It was the second single from Lady Gaga's second studio album, Born This Way. This hip pop song is sure to entertain both your students and audience alike!
Estimated delivery 3-5 days
View Music
Listen to MP3