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£70.50Stairway to Heaven (Concert Band - Score and Parts)
Stairway to Heaven is a song by the English rock band Led Zeppelin. It was composed by guitarist Jimmy Page and vocalist Robert Plant for the band's fourth studio album, Led Zeppelin IV. It was voted #3 in 2000 by VH1 on their list of the 100 Greatest Rock Songs. It is the most requested and most played song on FM radio stations in the United States, despite never having been released as a single there. Classic rock just never goes bad! This solidly scored arrangement has a driving rock beat that will have your concert band at the top of the charts as well. Duration: 3.45
Estimated delivery 7-14 working days
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£64.50Anything Goes (Concert Band - Score and Parts) - Porter, Cole - Wagner, Douglas E.
The theme from the musical by the same name, this charming melody will have them tapping their toes in the aisles, while the trombones get a chance to shine with a little gliss. Here's a super introduction to musical theatre for your young band. This solidly scored chart will steal the show.Duration: 2.00
Estimated delivery 7-14 working days
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£64.50Anything Goes - By Cole Porter / arr. Douglas E. Wagner
The theme from the musical by the same name, this charming melody will have them tapping their toes in the aisles, while the trombones get a chance to shine with a little gliss. Here's a super introduction to musical theater for your young band. This solidly scored chart will steal the show. (1:54)
Estimated delivery 3-5 days
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£70.50Stairway to Heaven - By Jimmy Page and Robert Plant / arr. Roy Phillippe
Stairway to Heaven is a song by the English rock band Led Zeppelin. It was composed by guitarist Jimmy Page and vocalist Robert Plant for the band's fourth studio album, Led Zeppelin IV. It was voted #3 in 2000 by VH1 on their list of the 100 Greatest Rock Songs. It is the most requested and most played song on FM radio stations in the United States, despite never having been released as a single there. Classic rock just never goes bad! This solidly scored arrangement has a driving rock beat that will have your concert band at the top of the charts as well.
Estimated delivery 3-5 days
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£58.50Sing, Sing, Sing (Tom-Tom Feature with Concert Band - Score and Parts)
When the music goes around, everybody goes to town. So goes the lyric to this classic tune that everyone knows and loves. Rare is it that a tune sounds so good to an audience and feels so good to the players. Simply said, this one works! Add this moment of instant identification to your next concert. Duration: 2.00
Estimated delivery 7-14 working days
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£70.00Sing, Sing, Sing - By Louis Prima / arr. Mike Story
'When the music goes around, everybody goes to town.' So goes the lyric to this classic tune that everyone knows and loves. Rare is it that a tune sounds so good to an audience and feels so good to the players. Simply said, this one works! Add this moment of instant identification to your next concert. (duration 1:56)
Estimated delivery 3-5 days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated delivery 7-14 working days
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£74.99Music (Concert Band - Score and Parts)
In his most famous number, Music, an ode to music, John Miles managed to pack in lots of different musical aspects and elements: rhythmically from slow to fast; dynamically from quiet to loud; and in the instrumentation between strings and rock band, he shows just what goes to make a piece of music and why it is that he loves this art form so much. This arrangement for a 10-part variable ensemble allows even musicians who don't have huge amounts of experience to discover and show their own passion for music.Duration: 5:30
Estimated delivery 7-14 working days
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£86.30
Suite Of Old French Songs - Pierre la Plante
Four very attractive French songs combined to make a great work for concert or festival. While each tune is strong enough to stand alone, they each have interesting stories that make them wonderful teaching material. Memorable music from long ago! Movements: 1. The Duke of Marlborough Goes to War 2. Chanson Triste (Une Jeune Fillette) 3. Bon Voyage, Monsieur Dumollet 4. Petit Papa
Estimated delivery 7-14 working days
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£154.99The Robber Knight - Rob Goorhuis
In the year 1368 a rapacious character takes up residence in the castle of Rijnesteyn at Cothen. He is Johan,bastard son of the Bishop of Utrecht.Round this now so peaceful castle eventful matters are enacted. In part one Johan and Willem Gulik of Guelders set out to do battle against King Charles of France. On their return,in part two, Johan captures two French goldsmiths in Hainault and incarcerates them at Castle Rijnesteyn. Part three is a musical representation of a courtly ballet in medieval style. The final part relates how Jan van Rijnesteyn goes to war against Hendrik van Vianen and Lord of 'Goy,Viscount of Utrecht.Jan loots hispossessions and threathens to conquer all. In het jaar 1368 betrekt een roofzuchtig heerschap het kasteel Reijnestein te Cothen.Het is Johan, de bastaardzoon van de Utrechtse bisschop. Rond dit nu zo vredig gelegen ridderslot hebben zich toen geruchtmakende taferelen afgespeeld. In het eerste deel trekt Johan met Willem Gullik, de hertog van Gelre, ten strijde tegen koning Karel van Frankrijk. De terugreis speelt zich af in het tweede deel. Tijdens deze reis neemt Johan in Henegouwen twee Franse goudsmeden gevangen en sluit ze op in de kerker van slot Rijnesteyn. Deel 3 is de muzikale weergave van een hoofs ballet in middeleeuwse stijl. In het laatste deel wordt verteld hoe Jan van Rijnesteyn in 1396 ten strijde trekt tegen Hendrik van Vianen en de heer van't Goy, burggraaf van Utrecht. Jan plundert diens goederen en dreigt diens bezittingen te veroveren.
Estimated delivery 7-14 working days
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