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£140.80 -
£78.95
Eagle Lake March - Carl Strommen
Commissioned by a South Carolina Middle School Band, Eagle Lake March, has the stately character of the great British marches of Gustav Holst and Eric Coates. As with all good marches the main theme is memorably tuneful, and there is a fine collection of worthy counter melodies, as well. A modulation to F Major leads to a grandly scored and sonorous conclusion Duration: 4' Keys: Eb, F Ranges: Trumpet - F, Horn - Eb, Trombone - Eb
Estimated delivery 7-14 working days
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£56.00Eagle Lake March
Commissioned by a South Carolina Middle School Band, Eagle Lake March, has the stately character of the great British marches of Gustav Holst and Eric Coates. As with all good marches the main theme is memorably tuneful, and there is a fine collection of worthy counter melodies, as well. A modulation to F Major leads to a grandly scored and sonorous conclusion Duration: 4' Keys: Eb, F Ranges: Trumpet - F; Horn - Eb; Trombone - Eb
Estimated delivery 12-14 days
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£270.00Echoes of the 1860s - Arr. Donald Hunsberger
The years surrounding the American Civil War became a gathering place, a focusing point in the development of the American wind band with several major peronages providing leadership during this vital era: Harvey and Allen Dodworth, Thomas Eaton, Patrick S. Gilmore, David L. Downing, Thomas Coates, and especially Claudio S. Grafulla. The current compilation is drawn from the band books of the Third Regiment, New Hampshire Band, also known as the Port Royal band, along with those of the 26th Regimental Band, North Carolina Troops, CSA, were the source of music for Frederick Fennell's historic recording in the early 1960s of music of the Civil War. Hunsberger's contemporary arrangements for today's band include Grafulla's setting of "The Star Spangled Banner," "General Lee's Grand March," "Come Where My Love Lies Dreaming," "Port Royal Galop," "Lorena," "Storm Galop," and two fife and drum calls: "Recruiting Sergeant" and "Retreat."
Estimated delivery 3-5 days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated delivery 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated delivery 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated delivery 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated delivery 7-14 working days
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£77.50The Dam Busters (Concert Band - Score and Parts)
Eric Coates' musical genius is celebrated in this new arrangement from Douglas E. Wagner. From the film of the same name, The Dam Busters was an instant classic and was named after a string of successful bombings on the Ruhr River which brought World War II to a more rapid end. This new arrangement of the classic march celebrates the fiftieth anniversary of the composition. Duration: 3.45
Estimated delivery 7-14 working days
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