Results
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£90.00When Daisies Pied (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated delivery 7-14 working days
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£143.00African Harmony (Concert Band with Optional Choir - Score and Parts) - De Meij, Johan
The first of its kind: A delightful suite based on five enchanting African folk songs. African Harmony can be performed by concert band only or with choir (SATB). Duration: 12.30
Estimated delivery 7-14 working days
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£75.00Look at the World (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Composed in celebration of the 70th anniversary of the Council for the Protection of Rural England, Look at the world has become a favorite for children's as well as mixed choirs. The text is filled with beauty, hope, and inspiration. This arrangement is intended for combined choir and band, but may be performed by band alone. It is technically not overly demanding for young players.
Estimated delivery 7-14 working days
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£75.00Most Glorious Lord of Life (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Originally commissioned for The Memorial Church, Harvard University, Cambridge, Massachusetts, and The Harvard University Choir, this familiar Easter hymn is introduced with a chorale prelude of fanfare, power, and delicacy, typical of John Rutter's magnificent compositions. Arranged for combined Chorus and Concert/Wind Band, the piece may be performed equally well with Band alone.
Estimated delivery 7-14 working days
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£85.00Rejoice and Sing! (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Rejoice and sing! was written in celebration of the 95th birthday of Sir David Willcocks. John Rutter writes: I was delighted to be asked by OUP to compose a new carol in his honour. Writing 'Rejoice and sing!' I recalled the many happy Christmas concerts he conducted with the Bach Choir in London's Royal Albert Hall, thinking also of his fondness for quirky rhythms, hence the lopsided 7/8 which runs through much of the music. This arrangement is written for combined Concert Band and Chorus, but may be performed by band alone. It is compatible with the original version except that it is transposed down by one-half step (semi-tone).
Estimated delivery 7-14 working days
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£85.00British Isles Medley (Concert Band with Optional Choir - Score and Parts) - Noble & Wright
British Isles Medley was arranged for performance for the BBC The Big Sing, an annually televised concert from the Royal Albert Hall in London. The medley includes four hymns: Guide me, O thou great redeemer; I cannot tell (Londonderry Air); Spirit of God; and Jerusalem. This arrangement for Concert Band may be performed with or without a choir.
Estimated delivery 7-14 working days
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£75.00Christmas Lullaby (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Christmas Lullaby was commissioned by The Bach Choir in 1989 to celebrate the 70th birthday of their conductor, Sir David Willcocks. The choral parts are included in the score for reference, but are not included in the set. The arrangement is compatible with the published vocal score.
Estimated delivery 7-14 working days
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£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts)
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated delivery 7-14 working days
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£75.00Magical Kingdom (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Written for 2-part children's choir and small orchestra, this fresh new arrangement is written for combined Concert Band and Chorus, and can be performed by band alone. The text shows John Rutter's ability to capture the imagination of young and old alike, yet the music is so beautifully set that words become almost superfluous. The arrangement is compatible with the published vocal score.
Estimated delivery 7-14 working days
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£75.00I Saw Three Ships (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter made this setting of an English folksong for The Bach Choir in 1977. The choral part is shown in the score, but is not included as a part of the set. This arrangement is compatible with the choral work which appears in the collections Carols for Choirs 3 and 100 Carols for Choirs, except that it is one-half step (one semitone) lower, until the last key signature change where it is one whole step (one whole tone) lower, than the original.
Estimated delivery 7-14 working days
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