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  • £294.99

    The Gospel Mass - Jacob de Haan

    The Gospel Mass -a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including the characteristic clapping and swingrhythms), but also freer gospel styles that have developed over the course of time. As far as we know, The Gospel Mass is the only true gospel mass. Choral parts available separately.

    Estimated delivery 7-14 working days

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  • £99.99

    Go with the Flow - Jacob de Haan

    This work is not only about the flow of the Doubs, Ranceuse and Roide rivers that converge at Pont-de-Roide but also about the flow of life and history of this French town. The composition begins festively and, after the tempo picks up, the music smoothly and rhythmically depicts the happiness and enthusiasm of the inhabitants. The ever-flowing waters of the rivers introduce the slow, melodic middle section, which suddenly turns into traditional march music. After a return to sounds of happiness and enthusiasm, the work closes majestically.

    Estimated delivery 7-14 working days

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  • £137.99

    La Storia - Jacob de Haan

    Estimated delivery 7-14 working days

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  • £84.99

    Crazy Music in the Air - Jacob de Haan

    Estimated delivery 7-14 working days

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  • £89.99

    A Touch of Klez! - Jan de Haan

    A Touch of Klez! was written for flute or alto saxophone solo and concert band. The work is based on three klezmer melodies: 'Ani Purim', 'Shlof Mayn Kind' and 'Freilachs Fun L.A.'. Klezmer is a form of traditional Yiddish music that originated in Eastern Europe during the Late Middle Ages and was originally intended as music for weddings. In the 20th century, klezmer melodies in Europe were influenced by other music styles; in America, jazz had a notable influence on this compelling music.

    Estimated delivery 7-14 working days

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  • £104.99

    Queen of the Dolomites - Jacob de Haan

    The introductory theme of this composition echoes the majestic size of the mountains that are visible from the picture-postcard Cortina d'Ampezzo--the socalled "Queen of the Dolomites". Then we hear a lyrical theme, in which we feel the peacefulness of the surrounding countryside. We can even hear the hustle and bustle of the popular ski resort, before the two opening themes return in reverse order to bring this musical sight-seeing excursion to a close.

    Estimated delivery 7-14 working days

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  • £139.99

    A Man's Destiny - Jan de Haan

    A Man's Destiny has the Frisian line 'Yn Ieren en Sinen' ('with much conviction') as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the life of a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, 'Canon' by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work.

    Estimated delivery 7-14 working days

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  • £134.99

    A Discovery Fantasy - Jan de Haan

    Estimated delivery 7-14 working days

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  • £248.99

    Missa Brevis - Jacob de Haan

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

    Estimated delivery 7-14 working days

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  • £91.99

    The Last Typewriter - Jacob de Haan

    This work describes the history and development of the typewriter in the newspaper world. The typical typing sound is the connecting thread, while a variety of music styles follow one another. In the end, the old familiar writing device is defeated when it has to make way for the computer. The composition features solos for various instruments that accompany the recurring typewriter. In a theatrical context, offering room for original ideas, the musical narrative will come across even better.

    Estimated delivery 7-14 working days

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