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£150.00Napoli - By Hermann Bellstedt / arr. Donald Hunsberger
Born in Germany, Hermann Bellstedt immigrated to America in 1867, where his family settled in Cincinnati. A prodigy on the cornet, he played with Patrick Gilmore as cornet soloist and assistant to the famous Ben Bolt, and, in 1904, joined the Sousa Band, playing alongside Walter Rogers and Herbert L. Clarke. Bellstedt's variations on Napoli feature the popular Neopolitan song "Finiculi, Finicula" (composed by Luigi Denza in 1880) that celebrated the funicular railway built up the side of Mt. Vesuvius in 1880. Other popular Amalfi Coast songs include "'O Solo Mio" and "Torna a Sorriento." A variety of solo textures, whimsical to intense, are demonstrated by this Donald Hunsberger arrangement dedicated to Wynton Marsalis as a part of the "Carnaval" project. A grandiose opportunity to feature your cornet or trumpet soloist! (5:45)
Estimated delivery 3-5 days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated delivery 7-14 working days
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£140.50Molly On The Shore - Percy Aldridge Grainger
No. 23 offerainger's British Folk Music settings, Molly on the Shore is a rollicking treatment of a popular Irish Reel. It scampers and bounces its way through a succession of sonorous climaxes, accumulating an amazing collection of memorable counter themes as it goes along, before subsiding in a delicately scored coda that ends with a characteristic Grainger bang. An acclaimed classic, we are proud to offer this engraved and corrected edition of Molly on the Shore with a complete full score. Duration: 4' Key: Ab Ranges: Solo Cornet - C, Cornet - G, Horn - Ab, Trombone - Ab
Estimated delivery 7-14 working days
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£71.10
Columbian Fantasy (War Song) - Rogers
A brilliant "theme and variations" solo for cornet (or euphonium) by Sousa Band cornet soloist Walter Rogers. Based on the famous Civil War tune "Tramp, Tramp, Tramp." Virtuosic!
Estimated delivery 7-14 working days
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£75.50Interlude - Andrew Pearce
As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.
Estimated delivery 7-14 working days
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£214.95Christmas Collection - Wind Band Set - March Card Size
The wind band set contains 30 march card size parts: Flute 1 x2Flute 2 x2Oboe x1Bassoon x1Clarinet 1 Bb x2Clarinet 2 Bb x2Soprano Saxophone Bb x1Alto Saxophone 1 Eb x1Alto Saxophone 2 Eb x1Tenor Saxophone Bb x1Baritone Saxophone Eb x1Horn 1 in F x1Horn 2 in F x1Solo & 1st Cornet Bb x22nd Cornet Bb x2Trombone 1 B.C. x1Trombone 2 B.C. x1Bass Trombone x1Euphonium B.C. x1Euphonium Bb T.C. x1Tuba B.C. x2String Bass x1Percussion x1 Titles:A child this day is bornA Christmas lullabyA great and mighty wonderAll I want for Christmas is youAll my heart this night rejoicesAngels, from the realms of Glory (Come and worship)Angels, from the realms of Glory (Iris)Angels we have heard on highA starry nightAs with gladness men of oldAuld lang syneA virgin most pureAway in a manger (The manger scene)Away in a manger (Traditional)A winter's taleBethlehemBrightest and best (Spean)Brightest and best (Traditional)Calypso CarolCarol for the NativityCarol of the bellsCarol of the drumChild of MaryChristians Awake!Christ is born (Il est n)Christ was born on Christmas DayCome and join the celebrationCome, children, come quicklyCoventry CarolDeck the hallDing dong! merrily on highDo you hear what I hear?Frosty the snowmanGabriel's MessageGaudeteGlory in the highestGlory in the highest HeavenGod of God, the uncreatedGod rest you merry, gentlemenGood Christian men, rejoiceGood King WenceslasGo, tell it on the mountain!Happy Christmas (War is over)Hark the glad sound!Hark! the herald angels singHave yourself a merry little ChristmasHere we come a-wassailingHow far is it to Bethlehem?Huron CarolInfant HolyIn the bleak midwinter (Cranham)In the bleak midwinter (Darke)I saw mommy kissing Santa ClausI saw three ships come sailing inIt came upon a midnight clear (Traditional)It came upon a midnight clear (Willis)It's beginning to look a lot like ChristmasIt's the most wonderful time of the yearI wish it could be Christmas everydayI wonder as I wanderJesus, good above all otherJingle BellsJingle bell rockJoy to the world!Last ChristmasLet it snow!Little baby JesusLittle children, wake and listenLittle DonkeyLittle Jesus, sweetly sleepLo! he comes with clouds descendingLong, long agoLove came down at ChristmasMary's boy childMary's ChildMasters in this hallMerry Christmas everyoneMistletoe and wineNoelO Christmas treeO come, all ye faithfulO come, ImmanuelO Heaven-sent KingO holy night!O little town of Bethlehem (Christmas Carol)O little town of Bethlehem (Forest Green)O little town of Bethlehem (St Louis)Once in royal David's cityPast three o'clockPatapanPersonent HodiePraise ye the LordRing the bellsRise up, shepherd!Rockin' around the Christmas treeRudolph, the red-nosed reindeerSans day carolSanta Claus is comin' to townSaviour's DaySee, amid the winter's snowSilent Night!Sleigh RideSoftly the night is sleepingSo here it is, merry ChristmasStars are shiningStill, still, stillStop the cavalrySussex CarolSweet chiming bellsSweet chiming Christmas bellsThe candle songThe cherry tree carolThe Christmas songThe first NowellThe holly and the ivyThe infant KingThe light has comeThe shepherds' farewellThe stable doorThe star in the eastThe twelve days of ChristmasThe virgin Mary had a baby boyThey all were looking for a kingThou didst leave thy throneThree kings' marchUnto us a boy is bornWalking in the airWe gather round the manger-bedWe three kings of Orient areWe wish you a merry ChristmasWhat child is this?When a child is bornWhen Santa got stuck up the chimneyWhence is that goodly fragrance flowing?When wise men came seekingWhile shepherds watched (Cranbrook)While shepherds watched (Handel)While shepherds watched (Winchester Old)White ChristmasWho is he?Winter WonderlandWorldwide Christmas messageZither CarolA starry nightChristmas JoyChristmas PraiseCoventry CarolInfant HolyMid-winterRudolph, the red-nosed reindeerThe everlasting lightTo celebrate his birthYuletide Rag
Estimated delivery 7-14 working days
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£55.60Chromatic Agility Studies Vols. 1&2 (Hard Copy) Matt Harper
These books are written with trumpet/cornet players in mind but are suitable for any brass instrument and for anybody from early high (senior) school to seasoned professionals. It is set in two volumes, both of which are included in this download. The author Matt Harper says: "My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book include: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.Gradually expanding intervals from minor seconds to octaves and even major tenths.A detailed method on how to effectively and efficiently learn challenging passages. Matt Harper is a freelance musician and private lesson instructor in the North Texas area. Matt was recently appointed to Principal Cornet in the Dallas Brass Band, he has also performed with several regional orchestras in the Dallas area as well as other groups such as the New World Symphony, Austin Opera, the Victoria Bach Festival. He was a participant at the Aspen Music Festival for two years and was a fellowship student in his final year. Matt received his B.M. from James Madison University and M.M. from The University of Texas at Austin. Chromatic Agility Studies Vols. 1&2 (Digital) Matt Harper
In stock: Estimated delivery 1-3 days
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£31.77
Chromatic Agility Studies Vol. 2 (Hard Copy) Matt Harper
This book is written with trumpet/cornet players in mind but is suitable for any brass instrument and for anybody from early high (senior) school to seasoned professionals. It is set in two volumes. Volume 1 (hard copy) is available here. The author Matt Harper says: "My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book include: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.Gradually expanding intervals from minor seconds to octaves and even major tenths.A detailed method on how to effectively and efficiently learn challenging passages. Matt Harper is a freelance musician and private lesson instructor in the North Texas area. Matt was recently appointed to Principal Cornet in the Dallas Brass Band, he has also performed with several regional orchestras in the Dallas area as well as other groups such as the New World Symphony, Austin Opera, the Victoria Bach Festival. He was a participant at the Aspen Music Festival for two years and was a fellowship student in his final year. Matt received his B.M. from James Madison University and M.M. from The University of Texas at Austin.
In stock: Estimated delivery 1-3 days
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£31.77Chromatic Agility Studies Vol. 1 (Hard Copy) Matt Harper
This book is written with trumpet/cornet players in mind but is suitable for any brass instrument and for anybody from early high (senior) school to seasoned professionals. It is set in two volumes. Volume 2 (hard copy) is available here. The author Matt Harper says: "My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book include: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.Gradually expanding intervals from minor seconds to octaves and even major tenths.A detailed method on how to effectively and efficiently learn challenging passages. Matt Harper is a freelance musician and private lesson instructor in the North Texas area. Matt was recently appointed to Principal Cornet in the Dallas Brass Band, he has also performed with several regional orchestras in the Dallas area as well as other groups such as the New World Symphony, Austin Opera, the Victoria Bach Festival. He was a participant at the Aspen Music Festival for two years and was a fellowship student in his final year. Matt received his B.M. from James Madison University and M.M. from The University of Texas at Austin.
In stock: Estimated delivery 1-3 days
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£47.31
Chromatic Agility Studies Vols. 1&2 (Digital) Matt Harper
These books are written with trumpet/cornet players in mind but are suitable for any brass instrument and for anybody from early high (senior) school to seasoned professionals. It is set in two volumes, both of which are included in this download. The author Matt Harper says: "My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book include: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.Gradually expanding intervals from minor seconds to octaves and even major tenths.A detailed method on how to effectively and efficiently learn challenging passages. Matt Harper is a freelance musician and private lesson instructor in the North Texas area. Matt was recently appointed to Principal Cornet in the Dallas Brass Band, he has also performed with several regional orchestras in the Dallas area as well as other groups such as the New World Symphony, Austin Opera, the Victoria Bach Festival. He was a participant at the Aspen Music Festival for two years and was a fellowship student in his final year. Matt received his B.M. from James Madison University and M.M. from The University of Texas at Austin.
In stock: Estimated delivery 1-3 days
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