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£55.905 Minutes a Day #1 - Andy Clark
Get your young band started off right during the first 5 minutes of each rehearsal with this three part warm-up and tuning exercise by Andy Clark. Part one is a chorale designed to get the lips vibrating and the horns warmed up. Part two is a scale and technique exercise The final section is a tuning exercise designed to help your students learn to listen and adjust their instruments accordingly.
Estimated delivery 7-14 working days
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£79.00The Magic Flute In 5 Minutes - Wolfgang Amadeus Mozart
Judy Nishimura has arranged her ever-popular "Magic Flute in 5 Minutes" for solo flute and concert band, which is sure to be a delight for all audiences. Feature your first chair flute player with this delightful romp through the most popular themes from this famous Mozart opera.
Estimated delivery 7-14 working days
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£128.60Isolation - Suite in 5 Movements - Øystein Sjøvaag Heimdal
This suite in 5 movements was written during the Corona pandemic and is inspired by experiences and feelings during this period. Feelings like insecurity, frustration, happiness, sorrow, hope, and optimism are the underlying themes, and this can be heard through the music. This is not, however, program music, so the audience may have their own perception of what the music is about.This piece provides the opportunity to focus on the different elements of music, such as dynamics, articulation, expression, tone control and timbre.The five movements can be performed separately.
Estimated delivery 7-14 working days
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£356.00Symphony No. 5 in B-flat Major, Op. 100 - Sergei Prokofiev
Written in a single summer month while World War II was still raging in 1944, Prokofiev's Symphony No. 5 would become not only one of the composer's most celebrated and performed works, it would stand among the giants in all of 20th Century classical compositions. Cast in four movements, Prokofiev once gave a statement that he intended it as a hymn to free and happy Man, to his mighty powers, his pure and noble spirit. He added, I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul. Deliberate or not, his statement likely helped placate the Communist Soviet Party, who under Stalin ruthlessly, and often fatally, censored the art and music of the time. This Southern Music publication represents the first complete band transcription of Prokofiev's monumental work by one of the world's most respected wind band editors, Dr. R. Mark Rogers. The edition provides a rare opportunity in the symphonic wind band repertoire for ensembles to perform an orchestral masterpiece in its entirety.
Estimated delivery 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated delivery 7-14 working days
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£252.99Sinfonietta No.5 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.5 consists of three movements: Fanfare, Interlude and Toccata. It is a work full of variety, featuring turmoil and passion as well as peaceful passages. The different moods make this an appealing composition which is wonderful to play for all sections, as well as a joy for the audience to listen to. Highly recommended for your next concert. Duration: 16.15
Estimated delivery 7-14 working days
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£79.99Symphony No.5, Finale from (Concert Band - Score and Parts) - Beethoven, Ludwig van - Longfield, Robert
The year 2020 marks the 250th anniversary of the birth of Ludwig van Beethoven. While the first movement of his famous fifth symphony is more often performed, the majestic and triumphant finale beautifully exemplifies the craftsmanship and genius of one of the greatest composers of all time. This masterful adaptation for concert band is based on the recapitulation and coda of the final movement and includes the signature Beethoven ending completely intact! Duration: 5.00
Estimated delivery 7-14 working days
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£148.00Ancalagon the Black (from Symphony No.5, Return to Middle Earth) (Concert Band - Score and Parts) - De Meij, Johan
After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No.5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into this symphony. This instrumental movement vividly describes the black dragon Ancalagon, the largest creature in Tolkiens mythological world.Duration: 6.00
Estimated delivery 7-14 working days
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£615.50Symphony No.5, Return to Middle Earth (Concert Band - Score and Parts) - De Meij, Johan
For Wind Orchestra, Soprano Solo and ChoirAfter 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony. There is an important role for a solo soprano and mixed choir: they sing in Ilkorin, one of the Elvish languages of Middle-Earth. The Orcs and other thugs also take the stage, but they only use raw screams in their own language, also known as black speech.
Estimated delivery 7-14 working days
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£110.00Toccata (from Symphony No.5) (Concert Band - Score and Parts) - Widor, Charles-Marie - Noble, Paul
The Toccata from Symphony No.5 has become a favorite showpiece of master organists, and is the first of the toccatas characteristic of French Romantic organ music. This Concert Band arrangement is faithful to the original score, with the woodwind arpeggios segmented and presented divisi to facilitate the technical demands. The power and magnitude of this composition lends itself well to the medium of the Concert Band.
Estimated delivery 7-14 working days
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