Results
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£52.00A Hero's Return (Concert Band - Score and Parts) - Richard, Douglas A.
A Hero's Return was written for the West Point Middle School Band, located at the United States Military Academy, West Point, NY. The opening section conveys the celebratory atmosphere of when a hero comes home to friends and family. The middle section represents the quiet tribute we pay to the fond memories of heroes no longer in our midst. The return to the initial theme welcomes not only the hero returning today, but symbolises the hopes for the safe return of all our heroes who so bravely serve their nation.Duration: 4.00
Estimated delivery 7-14 working days
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£74.99Aus Tiefer Not (Concert Band - Score and Parts) - De Haan, Jacob
In 1524, Martin Luther published his first hymn book, from which is taken his magnifique chorale Aus tiefer Not schrei ich zu dir (From the depths of the abyss I call upon thee, O Lord)' according to Psalm 130 (De profundis). In 1724, Johann Sebastian Bach composed a cantata, based on Martin Luther's chorale of the same name. To create this arrangement for Wind Orchestra, Jacob de Haan was particularly inspired by the work of Bach. Aus Tiefer Not is a valuable contribution to the sacred repertoire.Duration: 4:00
Estimated delivery 7-14 working days
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£49.00Not Tu-bad! (Tuba Solo with Concert Band - Score and Parts)
Your young tuba player is about to have the thrill of a lifetime - a piece with a featured solo just for them! "Not Tu-Bad!" brings your budding tuba star to the forefront, literally, with a clever and fun musical work that highlights just how awesome they are! Give the bottom of your band the chance to stand out and shine with a memorable solo that they'll recall long after the performance is over. And if you don't have a tuba, not to worry-the solo can be played by any low brass or woodwind instrument. Highly recommended! Duration: 2.20
Estimated delivery 7-14 working days
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£77.00Conducting the Music, Not the Musicians
Conducting the Music, Not the Musicians is the first conductor training text to put the primary emphasis on musical expression as it introduces basic technique through the concept of phrase conducting. Among many unique features it examines cueing within the beat pattern in greater detail than is usual in beginning conducting texts. The examples and exercises (drawn from both the vocal/choral and instrumental repertoires), progress to guided practice chorales and etudes and finally to full score rehearsal and guided performance. Jerry and Henry Nowak have produced a groundbreaking book that will help novice conductors solve technical problems, with musical solutions.
Estimated delivery 12-14 days
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£84.99IT'S NOT UNUSUAL (Concert Band)
It's Not Unusual has been a world-wide hit for Tom Jones. Stefan Schwalgin's arrangement has a big band sound with the soullike singing of the original reflected perfectly in the instrumentation
Estimated delivery 7-14 working days
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£57.50The Path Not Taken (Concert Band - Score and Parts) - Sweeney, Michael
The image of a path not taken may evoke a sense of mystery and excitement at the unknown, as well as the satisfaction of following our own individual path in life - a unique journey different from all others. This engaging work for band follows an arc of emotions ranging from the eager anticipation at the start of a journey; frustration and doubt as the path becomes more difficult and perilous; then elation and joy as the goal is reached and our dreams are realised.
Estimated delivery 7-14 working days
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£110.00A Fugal Overture (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
Gustav Holst began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture is not strictly fugal. It belongs to the era of neo-classicism, but apparently by coincidence, for Holst had not yet heard some of the Stravinsky and Hindemith works which set this fashion. The fugal subject is full of spiky crossrhythms - Holst grouped the eighth notes (quavers) of his 4/4 into a pattern of 3 + 3 + 2, thus giving a bar of three unequal beats. The piece is intense and exciting, and should make an important addition to the repertoire of the Concert Band.
Estimated delivery 7-14 working days
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£55.50Away in a Manger (Concert Band - Score and Parts) - Ployhar, James D.
This is not the recognized English tune, but this setting of the heart-warming Christmas carol should not be overlooked. Away In a Manger features lush harmonies with the initial introduction of a charismatic countermelody. Enjoy the charming and unique scoring that makes this a must-have for your Christmas concert.Duration: 2.45
Estimated delivery 7-14 working days
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£84.95A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score and Parts) - Holst, Gustav - Brand, Geoffrey
This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.
Estimated delivery 7-14 working days
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£16.95
A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score Only) - Holst, Gustav - Brand, Geoffrey
This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.
Estimated delivery 7-14 working days
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