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£72.99Eighties Flashback
The decade of the '80s gave us an eclectic blend of musical styles and colourful personalities. Here is an action-packed sampling of the top hits from this rich period of popular music. Includes: Thriller (Michael Jackson), Time After Time (Cyndi Lauper), You Give Love a Bad Name (Bon Jovi), Up Where We Belong (Joe Cocker & Jennifer Warnes) and Eye of the Tiger (Survivor). Get ready to rock the house!
Estimated delivery 7-14 working days
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£76.99The Eighties
Journey through the amazing 80's with this exciting musical synopsis. The hits, the fads, the shows and events are here to entertain all ages! Includes: Chariots Of Fire, Billie Jean, Bad, Don't Worry, Be Happy, One Moment In Time, Faith, Material Girl, Memory, Flashdance, Phantom Of The Opera, Uptown Girl, E.T.,Physical, Olympic Fanfare, That's What Friends Are For, We Are The World, and Somewhere Out There. t
Estimated delivery 7-14 working days
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£57.50Eighties Gold
Featuring the mega hits Thriller, Somewhere Out There, and Footloose, here is a hard-hitting medley for young players that is sure to be enjoyed by all. The '80s never sounded so good!
Estimated delivery 7-14 working days
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£57.50Eighties Gold (Concert Band - Score and Parts) - Brown, Michael
Featuring the mega hits Thriller, Somewhere Out There, and Footloose, here is a hard-hitting medley for young players that is sure to be enjoyed by all. The '80's never sounded so good!
Estimated delivery 7-14 working days
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£72.99Eighties Flashback (Concert Band - Score and Parts)
The decade of the '80's gave us an eclectic blend of musical styles and colourful personalities. Here is an action-packed sampling of the top hits from this rich period of popular music. Includes: Thriller (Michael Jackson), Time After Time (Cyndi Lauper), You Give Love a Bad Name (Bon Jovi), Up Where We Belong (Joe Cocker & Jennifer Warnes) and Eye of the Tiger (Survivor). Get ready to rock the house!
Estimated delivery 7-14 working days
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£76.99The Eighties (A Decade of Hits) (Concert Band - Score and Parts)
Journey through the amazing 80's with this exciting musical synopsis. The hits, the fads, the shows and events are here to entertain all ages! Includes: Chariots Of Fire, Billie Jean, Bad, Don't Worry, Be Happy, One Moment In Time, Faith, Material Girl, Memory, Flashdance, Phantom Of The Opera, Uptown Girl, E.T.,Physical, Olympic Fanfare, That's What Friends Are For, We Are The World, and Somewhere Out There.
Estimated delivery 7-14 working days
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£89.99Gold - Gary Kemp
At the beginning of the eighties trendy English boy band, Spandau Ballet, made it big with hits like True and Gold. Millions of records were sold worldwide, and the group became one of the most successful bands of the eighties. Why not bring a little 80?s pop magic to any concert with the zesty disco tempo and jazzy chords of this arrangement.
Estimated delivery 7-14 working days
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£89.99Gold (Concert Band - Score and Parts)
At the beginning of the eighties trendy English boy band, Spandau Ballet, made it big with hits like True and Gold. Millions of records were sold worldwide, and the group became one of the most successful bands of the eighties. Why not bring a little 80's pop magic to any concert with the zesty disco tempo and jazzy chords of this arrangement.Duration: 4:30
Estimated delivery 7-14 working days
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£109.99Grnemeyer! - Herbert Grönemeyer
The German singer and actor Herbert Grnemeyer has remained faithful to his own style since the beginning of his career in the eighties, yet still managed to further develop his craft and himself, all the while remaining successful. His albums sell well, and his concerts,especially in Germany, are frequently sold out. Wolfgang Wssner chose four diverse songs from Grnemeyer's extensive repertoire (Mnner, Mensch, Flugzeuge im Bauch and Mambo), creating a medley that remains exciting to the very end.
Estimated delivery 7-14 working days
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£344.30Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated delivery 7-14 working days
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