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  • £106.99

    Royal Salute - Philip Sparke

    This march from Philip Sparke is in the tradition of the English ceremonial or concert march, such as the masterpieces written by Sir Edward Elgar and Sir William Walton. It attempts to continue this tradition with a march for intermediate band that has all the recognisable hallmarks such as broad melodies, counter melodies and a nobilmente trio.

    Estimated delivery 7-14 working days

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  • £29.95

    God So Loved the World - Score and Parts - Sir John Stainer

    The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.

    Estimated delivery 7-14 working days
  • £5.95

    God So Loved the World - Score only - Sir John Stainer

    The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.

    Estimated delivery 7-14 working days
  • £89.95

    Variations on 'Laudate Dominum' - Edward Gregson

    The theme is a noble hymn tune by Sir Hubert H. Parry, associated with the words 'O praise ye the Lord'. There are seven contrasting variations that will provide much interest to the player as well as the listener, the seventh of which is a fugato which leads into a triumphant finale where the theme is heard for the first time in its completion. This, we feel, will be a significant work for Wind Band as it has been for the brass band movement.

    Estimated delivery 7-14 working days

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  • £49.95

    Cav Party (Concert Band - Score and Parts) - Wiffin, Rob

    Cav Party was commissioned by The Band of the Household Cavalry in 2020. The idea was to showcase the various musical elements of the band in a party piece that gets more boisterous as it goes on. It utilises three Eighteenth century melodies associated with the band, starting off with a folkish setting of Handel's March from Scipio for harp, violin, flute and cor anglais (all fully cued on regular wind band instruments) and then into Keel Row where the accordion is featured before the whole band enters, and finally to Money Musk. Both Keel Row and Money Musk are played as Trot Marches by the band.The regimental slow march Scipio comes from Handel's opera of 1725 The Mercy of Scipio, which was based on the life of the Roman General Scipio Africanus.Keel Row is a traditional folk song evoking the life and work of the keelmen of Newcastle upon Tyne. It was first published in 1770, although it could be considerably older. The opening lines of the song describe Sandgate, the part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived.Money Musk, also known as Monymusk or Monnymusk was originally a pipe tune composed by Scottish fiddler Daniel (sometimes Donald) Dow (1732 - 1783) in 1776. It takes its name from a baronial estate in Aberdeenshire, Scotland called Monymusk House. The tune first appeared in Dow's Thirty Seven New Reels, c. 1780 under the title Sir Archibald Grant of Monemusk's Reel.Duration: 3.45

    Estimated delivery 7-14 working days

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  • £17.95

    The Platinum Jubilee March (Concert Band - Score only) - Shelton, Chris G.

    Queen's Birthday Parade, Quick Troop 2022The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring florid woodwind lines that are underpinned by a driving trombone and horn countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.Duration: 3.30

    Estimated delivery 7-14 working days

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  • £87.95

    The Platinum Jubilee March (Concert Band - Score and Parts) - Shelton, Chris G.

    Queen's Birthday Parade, Quick Troop 2022The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring florid woodwind lines that are underpinned by a driving trombone and horn countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.Duration: 3.30

    Estimated delivery 7-14 working days

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  • £75.00

    Ding Dong! Merrily on High (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

    Ring in the holidays with this famous Christmas carol, Ding Dong! Merrily on High. The tune first appeared as a French dance in the 1500's. The lyrics were written by George Ratcliffe Woodward and published in 1924 in The Cambridge Carol-Book. More recently, Sir David Willcocks made an arrangement for the second book of Carols for Choirs, on which this arrangement for Concert/Wind Band is based. His original arrangement was in the key of B major, which has been modified to B-flat major to better accommodate the instruments of the band. This represents one of the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated delivery 7-14 working days

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  • £75.00

    See, Amid the Winter's Snow (Concert Band with Optional Choir - Score and Parts) - Goss, John - Noble & Willcocks

    See, amid the Winter's Snow, also known as Hymn for Christmas Day and The Hymn for Christmas, is an English Christmas carol. It was written by Edward Caswall (1814-1878), with music composed by Sir John Goss (1800-1880). This stunning setting by David Willcocks is included in his Carols for Choirs 1 (#33), on which this arrangement is based. This represents one of the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated delivery 7-14 working days

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  • £250.00

    The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.

    Estimated delivery 7-14 working days

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