Searching for Brass Band Music? Visit the Brass Band Music Shop
We've found 1000 matches for your search

Results

  • £114.99

    A Christmas Carol Fantasy (Concert Band - Score and Parts) - Hoshide, Takashi

    A fantastic medley for concert band, with optional organ part and optional electric or acoustic guitar, of no fewer than seven of the best-loved Christmas carols of all time. You will hear the delights of O Come All ye Faithful, Joy to the World, The First Noel, Deck the Halls, Hark the Herald, O Tannenbaum and O Little Town of Bethlehem all given that special something that is present in all publications from the 'New Sounds for Concert Band' series. An ideal piece to either open or bring to a close your Christmas concert.Duration: 7:30

    Estimated delivery 7-14 working days

     PDF View Music

  • £91.99

    A Joyful Fanfare (Concert Band - Score and Parts)

    This joyous fanfare offers many members of the band the opportunityto shine. The opening subject is passed from the clarinets to thesaxophones and then to the oboes before being taken up by thecomplete band. After a quiet variation from the horns the work comesto a powerful climax. A perfect concert opener that will introduce yourwhole concert band to the audience. 03:20

    Estimated delivery 7-14 working days

     PDF View Music

  • £75.99

    Acclamation! (A Global Greeting for Winds) (Concert Band - Score and Parts) - Reed, Alfred

    Here is an exciting new work from the master of concert band scoring to help bring the band world into the new millennium. This composition is characterized by a variety of styles and tempos from the very rhythmic opening section in a moderate tempo, to the lushly orchestrated slower sections. Throughout the piece Dr. Reed uses a marvelous palette of symphonic colors and soaring melodies to create this exceptional new addition to the concert band repertoire.

    Estimated delivery 7-14 working days
  • £62.95

    Belwin Beginning Band Kit No.3 (Concert Band - Score and Parts) - Bullock, Jack

    This kit for beginning concert band contains four grade-one selections on a two-page part which can be used as a program for a complete concert or separately as supplemental material for the first year band. Kits #1 and #2 are also available. Great for tight budgets! Titles are Offenbach's Barcarolle, Ol, Flyin' Fingers, and Top of the Class. Duration: 5.30

    Estimated delivery 7-14 working days

     PDF View Music

  • £44.95

    Big Screen Fanfare & Rockbuster (Concert Band - Score and Parts) - Rae, James

    James Rae is the man who put fun into woodwind and brass teaching. His many compositions, especially in the jazz and blues idioms, have often featured on examination syllabuses. Recent years have seen his publications of easy flexible ensembles for younger players and now he turns his attention to the wind band. In this series "The Concert Band Collection", he has written exciting new pieces for the standard concert band line up. Attention is given to each instrument so that the technical and musical requirements do not exceed UK Grade 2.5. An optional piano part will provide "stuffing" and moral support for the young players who will quickly enjoy James' catchy and imaginative music. Each volume contains two titles. This one includes "Big Screen Fanfare", a fanfare in the style of a Hollywood movie theme and the cool "Rockbuster".

    Estimated delivery 7-14 working days

     PDF View Music

  • £73.50

    Concert Band Clinic (Concert Band - Score and Parts) - Smith, Robert W.

    A Warm-Up and Fundamental Sequence for Concert Band. Progressive in depth and organization, this is the third of four comprehensive warm-up programs used by Robert W. Smith at the podium of every honor band he guest conducts. This warm up program is designed for use in any key with just a standard student part to be included in the band's folders. This Clinic will provide everything you need for your daily warm-up and support your teaching objectives, as well as accommodate the National Standards for Music Education. There are four segments in each Clinic: tone, technique, theory and composition, and chorale. The recording included is only the fourth portion; the chorale.

    Estimated delivery 7-14 working days

     PDF View Music

  • £57.50

    Dreamsong (Piano Solo with Concert Band - Score and Parts) - Saucedo, Richard L.

    Here is a special composition that serves a very special purpose for young band programs - an opportunity to feature a piano soloist with concert band. The piano part itself is lyrical and not technically demanding. The band parts are easy to learn and lend support for the soloist in addition to sharing in the melody at times. A wonderful change of pace for your next concert.Duration: 3:00

    Estimated delivery 7-14 working days
  • £495.00

    English Dance Suite (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Original Scoring. Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated delivery 7-14 working days
  • £125.00

    English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated delivery 7-14 working days

     PDF View Music

  • £75.00

    English Dance Suite - II. Alman (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated delivery 7-14 working days

     PDF View Music