Results
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£125.00English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£75.00English Dance Suite - II. Alman (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£110.00English Dance Suite - III. Hornpipe (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£95.00English Dance Suite - IV. Corranto (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£75.00English Dance Suite - V. Volta (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£75.00English Dance Suite - VI. Pavan (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£125.00English Dance Suite - VII. Reel (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated delivery 7-14 working days
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£53.50Water Music, Suite from (Concert Band - Score and Parts) - Handel, George Frideric - Vinson, Johnnie
The music of Handel is considered the culmination of the Baroque period of music history, and his Water Music (1717) has endured in popularity for nearly 300 years! Performed from a barge travelling on the River Thames, King George I is said to have liked the music so much that he ordered it repeated several times. Originally three suites each consisting of multiple movements, Johnnie Vinson has skilfully adapted this arrangement for young players using Alla Hornpipe from the Suite in D Major, and the Air and Allegro from the Suite in F Major.Duration: 4:20
Estimated delivery 7-14 working days
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£59.95Three-Piece Suite (Concert Band - Score and Parts) - Wiffin, Rob
A tuneful and reasonably easy suite, comprising Fanfare, Lullaby and All at Sixes and Sevens. There are some asymmetric rhythmic challenges in the last movement as implied in its title, but otherwise this suite is not particularly difficult and sets out to be attractive throughout. The Fanfare is vibrant and energetic while Lullaby is very lyrical and occasionally punctuated by harmonic piquancy. All at Sixes and Sevens plays games between 3/4 and 6/8 with some sevens thrown in for good measure.Duration: 8.45
Estimated delivery 7-14 working days
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£60.00Songs (Mvts II & III from the Second Suite in F) (Flexible Ensemble - Score and Parts)
An outstanding new addition to the Build-A-Band Series that includes the "Song Without Words" and "Song of the Blacksmith" movements from this famous suite. Can be combined with Scott's earlier arrangement of the March movement the same suite to make a wonderful program for concert and contest performances. Now even the smallest bands can successfully perform this great work which is such a staple of the concert band repertoire.Duration: 3.30
Estimated delivery 7-14 working days
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